I have been working as hard as I possibly can and I have felt my work taking on the desire for a genuine change in direction, a fairly subtle change, not a radical change in aesthetic but definitely a solid development.
My skeletal drawing process hasn’t changed really but the colours and the way I apply them has – and is changing. This for me is an incredibly exciting time in my practice because as some of you might know I am colour blind (not totally) and had always pretty much ruled myself out of the use of colour in my work.
A probably around a year ago I begun to use colour thinking I will use very bright colour’s that I understand and almost blast my way through the problem of not seeing subtle colour’s as most others do. This worked up to a point, then slowly I began to feel the restrictions coupled with the natural urge to progress. I tried ignoring this for a while but before long I knew change had to be instigated.
Fast forward to now and that change is in its
supernova – it is almost complete in the fact that my colour methods have changed so much.
During my degree I made sure I knew my basic colour theory as a well drilled soldier does his rifle. This knowledge over time has eroded so
I set about relearning what I had forgotten. Just reading about this stuff again helped immeasurably and I realised quite happily that I only needed the smallest of prompts to remember what I was recapping. (Incidentally I learnt my colour so well whilst studying to try to offset my disadvantages).
What I am trying to do now is use colours in a more sophisticated manner and not just bludgeon them into a drawing. Also due to different pens/ inks I am able to overlay colours now which has opened a very exciting set of possibilities. Dare I say maybe one day some paintings might come from this. I can’t believe just how much the colour aspect has become important now.
Thank you as always for reading.